The BSc Sound Engineering programme is part of the Apprenticeship Embedded Degree Programme (AEDP), introduced under the National Education Policy (NEP) 2020, from AY 2025-2026. This innovative framework allows students to gain paid hands-on training in professional audio settings, combining rigorous academic modules in acoustics, multi-channel recording with boutique analog gear like API and Neve, live sound reinforcement, Dolby Atmos spatial audio, and AI integration, with vocational experiences in post-production for film, OTT, and gaming, all within state-of-the-art studios featuring SSL consoles and immersive mixing rooms.
Hands-on experience with top-tier equipment in state-of-the-art studio facilities, empowering you to develop both technical skills and artistic vision. Benefit from masterclasses, workshops, and industry sessions conducted by legends, and the opportunity to network with like-minded individuals and professionals. Build a diverse portfolio that sets you apart in the competitive audio industry.
The HSNC University, Mumbai in collaboration with The Audio Guys (TAG) Institute is offering the Bachelor of Arts in Music Production programme, a gateway to mastering the art of audio production. Over three transformative years, dive into essentials like music theory, sound physics, and cutting-edge digital audio workstations such as Pro Tools, Ableton Live, and Logic Pro X.
Join a community that fosters your passion for sound and equips you with the skills and knowledge to thrive in the dynamic field of Music.
| Duration | 3 Years |
|---|---|
| Fees | Rs. 3,10,000/- |
| Intake | 15 Seats |
| Eligibility |
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| Career Prospects |
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Comprehensive 3-Year Program
| Semester 1 | |
|---|---|
| 1 |
Music Theory and Appreciation
Develops foundational music knowledge covering Western music notation, harmony, rhythm, scales, and Indian music traditions including Hindustani and Carnatic elements (Swara, Raga, Taala). Explores various genres from classical to contemporary, with practical listening exercises and collaborative composition projects. |
| 2 |
Physics and Fundamentals of Audio
Covers the physical properties of sound including propagation, waveform characteristics, envelope, and waveshapes. Studies loudness levels, decibel metering, logarithm basics, ear anatomy, psychoacoustics, and perception of loudness, pitch, and timbre. Includes practical ear training for sound quality, spatial awareness, and frequency spectrum analysis. |
| 3 |
Computer Technology and Digital Audio Workstation - Pro Tools Basics
Introduction to digital audio fundamentals including transmission, signal distribution, wordclock, and jitter. Covers digital signal processing, audio processors, time-based effects, and console architecture (analog vs digital). Provides hands-on training in Avid Pro Tools interface, features, and basic operations. |
| 4 |
Industry Training - Musical Instruments and Vocals
Hands-on experience with keyboard finger exercises, scales, chords, and drum counting/rhythms. Introduces basic sheet music reading and vocal training including range determination, pitch accuracy exercises, and techniques for musical phrasing, dynamics, and expression. |
| Semester 2 | |
|---|---|
| 1 |
Microphones and Recording Techniques
Explores microphone types, accessories, response charts, characteristics, and preamp tonalities. Covers popular miking techniques, common mistakes, and microphone selection/placement for various instruments and vocals. Practical training in mono, stereo, and multi-miking techniques including drum kit recording. |
| 2 |
Music Production and Mixing 101
Introduction to MIDI, DAW production features, and song production elements including sequencing, melodic and rhythm arrangement. Covers mixing philosophy, approaches, ear training for mixing, and preparation techniques. Includes practical exercises in song mixing processes and mastering for content delivery. |
| 3 |
Digital Audio Workstation - Pro Tools Intermediate
Advanced Pro Tools editing techniques for two-track and multitrack sessions. Covers dynamic plugins, parallel processing, sidechaining, equalizers, tone shapers, and time-based effects. Studies automation modes, parameters, and integration of external hardware interfaces and controllers. |
| 4 |
Industry Training - Studio Console Workflows and Recording
Comprehensive studio console training covering signal flow, basic and advanced operations, routing, patching, and automation. Includes microphone selection, recording techniques for different instruments, and hands-on live recording sessions with mixing and editing practice. |
| Semester 3 | |
|---|---|
| 1 |
Film Sound Theory and Principles of Sound Designing
Covers film/TV production roles, creative and post-production departments, synchronization types, audio peripherals, and workflows. Explores film audio formats evolution and sound design elements. Practical training in mixing for short films and documentaries including preparations, audio premix, and final mix perspectives. |
| 2 |
On-Location Film Sound & Aesthetics of Diegetic Sound
Location sound equipment, timecode sync, and on-set microphone techniques. Covers dialogue editing with AAF/OMF/EDL, ADR, crowd recording. Studies sound effects track laying, spotting, sound libraries, foley editing, and sync checks. Practical training in recording and performing foley including dialogues, footsteps, and materials. |
| 3 |
Acoustic Designing & Principles of Architectural Design
Studio environment design, monitoring objectives, and design aesthetics. Covers room acoustics including modes, reverberation, absorption, diffusion, diffraction, and refraction. Studies acoustic treatments, isolation materials, ceiling/floor treatments, and room combinations. Practical work in 3D computer modeling and simulation tests. |
| 4 |
Industry Training - Production and Audio Post Production of Short Film
Complete short film production workflow from pre-production planning and script analysis to final delivery. Includes location sound recording, ADR, sound design, foley creation, dialogue editing, and mixing. Covers balancing dialogue, music, and effects with final mastering for different delivery formats. |
| Semester 4 | |
|---|---|
| 1 |
Song Recording with Large Format Consoles and Advanced Mixing Concepts
Inline and splitline console operations, outboard gear integration with patchbays, and equipment selection. Advanced mixing concepts, vision, editing, cleanup, and preparation techniques. Covers mastering preparation, processing, content loudness optimization for streaming platforms, and meeting client requirements. |
| 2 |
Digital Audio Workstation - Cubase
Comprehensive Cubase training covering interface, workflow, audio/MIDI setup, editing, quantization, virtual instruments, and score editor. Includes recording preparations, time stretching, pitch correction, mixing console operations. Practical work in signal flow, routing, take compilation, vocal editing, and automation. |
| 3 |
Digital Audio Workstation - Advanced Operations
Advanced Pro Tools features including 7.1 surround sound configuration, advanced signal routing, comping techniques, Beat Detective, and editing large music/film sessions. Covers noise reduction, restorations, vocal pitch correction, advanced parallel/sidechain processing, and Avid control surface operations. |
| 4 |
Industry Training - Song Recording & Studio Practices
Complete song production from composition to mastering. Includes recording acoustic instruments and vocals, programming arrangements with MIDI/virtual instruments, blending acoustic and electronic elements, and applying professional mixing/mastering techniques. Requires maintaining a critical logbook documenting all decisions and processes. |
| Semester 5 | |
|---|---|
| 1 |
Live Sound Reinforcement - Fundamentals and Preparations
Types of live events, technical riders, understanding client/artist requirements. Microphone selection using spec charts, miking techniques for live context, DI boxes, and balanced lines. Stage management including cable management, patching inputs/outputs, splits, stage racks. Practical training in line check, sound check, and gain staging. |
| 2 |
Live Consoles and Mixing
Console connectivity, setup, layouts, channel strips, and signal flow. Integration of third-party devices/plugins, multi-console setups, splitters, and gain sharing. Advanced bus routing, delay compensation, signal processing for dynamic mixes. Practical training in FOH mixing for concerts and monitor mixing with IEMs. |
| 3 |
System Engineering and Radio Frequency Management
Amplifiers, loudspeakers, rigging techniques, and load calculations. System engineering stages from requirements to calibration, simulation software (Array Calc, Sound Vision), measurement and tuning. RF spectrum, regulations, transmitters, receivers, frequency coordination. Practical PA system setup, Smaart tuning, and RF equipment management. |
| 4 |
Audio Electronics and Fundamentals of Audio Networking
(MIN)
Electronic components (resistors, capacitors, inductors, transistors, op-amps), signal levels, impedances, filters, and crossovers. Computer network basics, protocols, IP addressing, network topologies. Audio transport protocols (Dante, AES67, AVB), audio over Ethernet, switches, routers, and cabling requirements. |
| 5 |
Industry Training - Stage Management & Live Mixing
Stage manager roles, event planning, coordination with performers/crew, stage plot development. Live sound equipment setup, signal flow troubleshooting, safety protocols. Mixing for various event types, EQ/dynamics in live sound, monitor mixing, feedback control. Show execution, sound checks, real-time problem-solving, and post-event review. |
| Semester 6 | |
|---|---|
| 1 |
Apprenticeship:
Paid apprenticeship which will develop skills in crafting original compositions, integrating virtual instruments, and utilizing advanced mixing and mastering techniques for professional-quality productions across diverse genres. |
The Audio Guys (TAG) Institute is Mumbai's premier institute for aspiring audio professionals. We are dedicated to nurturing the next generation of industry leaders, providing them with top-notch education in the field of Audio Engineering and Music Production along with hands-on training in our state-of-the-art facilities.
The future of audio is constantly changing, and our curriculum is designed to equip you with the skills and knowledge needed to thrive in this dynamic industry. Gain insights and build connections under the guidance of our Award-Winning Faculty.
Hone your skills in our studios equipped with cutting-edge technology and gear.
| Studio A | Features a Midas M-32 mixing console and exclusive outboard gear for recording versatility. |
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| Studio B | India's first 7.1.4 Dolby ATMOS Mix room, equipped with industry-standard tools. |
| Studio C | A flagship studio houses a one-of-a-kind SSL Origin Console and extensive high-tier gear. |
| Studio D | A compact and powerful 5.1 studio space for sound editing, recording, and mixing. |
| Studio E | Designed exclusively for music production students with equipment for composition and synthesis. |
Meet our esteemed team of industry experts, including award-winning sound engineers, music producers, and educators. With extensive experience in music production, audio engineering, and live sound, they bring a wealth of knowledge and passion to guide and inspire future professionals.
Anupam is an IT engineer from Vidyalankar Institute of Technology, Mumbai and also has a Master’s degree holder (M.A. Music) from Amravati University.
Better known in the Industry as JK is a 5 time IRAA award winner, a world class sound engineer who specialises in song recording and mixing as well as Live sound mixing.
A highly accomplished lecturer with expertise in both music and film production. A graduate from SAE Byron Bay Australia.
An alumni of Fullsail University, USA and an Electronics Engineer, with a 40 years experience having worked on projects spanning all areas of the recording business.
The Head of Academics at the Audio Guys Institute, is an Ableton Certified Trainer and Mastering Engineer, currently pursuing an MSc in Professional Practices (Audio Mastering).
A Master's Degree holder from the Film and Television Institute of India, Pune, is a IRAA winning Sound Engineer recognized for his expertise in both the Film and Music domains.
A graduate with a B.Com degree from Mumbai University, has successfully obtained a diploma in sound engineering from the Digital Academy in Mumbai.
Holds a Post-Graduate Diploma in Sound Engineering & Music Production from SACAC. His musical foundation is further strengthened by a Certificate in Higher Education of Music from KM Conservatory.
Holds a BTech degree in Computer Science Engineering from Dr. A.P.J. Abdul Kalam Technical University.
A pianist, composer, arranger, producer and educator from Mumbai. A true performer at heart, Niranjan has a keen interest & appreciation for Indian Music, Jazz, Blues, RnB & contemporary music.
A faculty member at The Audio Guys Institute and is also a seasoned touring live sound engineer with a wealth of experience working with numerous artists such as Masala Coffee, The Western Ghats, Atif Aslam and many more.
Holds an 8th grade certificate in Piano from Trinity College London. He is a professional pianist, keyboardist, arranger, and music producer with extensive experience in the music industry.
Yash Darji is a distinguished graduate from Full Sail University in Florida, USA, and holds a Bachelor's degree in Software Engineering from Gujarat University. He specializes in sound design for game audio, film, and television.
Supratik Das has a Bachelor’s in Business Management from Christ University, Bangalore, and advanced sound engineering certifications from Alchemea College, London, and SSR Manchester (now Spirit Studios), where he graduated with distinction.
Abhishek Ghatak is a graduate of SAE in Byron Bay, NSW, Australia. He has been a prominent mix and mastering engineer in the Hindi film industry, working with renowned composers like Vishal and Shekhar, Salim-Sulaiman, and Sachin-Jigar.